Point & Click #14 – Mixing Sol Invictus | Quick Breakdown of Epic | Tētēma Review

In Point & Click #14 we quickly look at another Sonar Works video on listening to Faith No More’s Sol Invictus, a short breakdown of Faith No More’s Epic, and another tētēma review.

Mixing Sol Invictus

As we prepare for the special Sonarworks release of Cone of Shame on the 7th of February 2017 they’ve dropped another video.

This time Billy Gould and Matt Wallace talk about the problems associated with band members listening to the mix of Sol Invictus on their own equipment.

If you haven’t already, sign up now for Sonarworks special digital release for Cone of Shame, you can do so at http://faithnomore.sonarworks.com/signup/

Quick Breakdown of Faith No More’s Epic

There’s good news for those of you who haven’t been able to invest an hour in listening to the instrument-by-instrument deconstruction of Faith No More’s Epic.

As well as his hour-long Session each Sunday, Christian James Hand also does a 10-15 minute Studio Session with Frosty, Heidi, and Frank on Monday mornings.

Here’s a whirlwind look at Faith No More’s Epic.

And for those who haven’t had a chance to listen to the full session, you can check it out below.

Another Review of tētēma performance

Tetema poster for Mona Foma Festival 21 January 2017

Tetema poster for Mona Foma Festival 21 January 2017

TheMusic.com.au recently reviewed Mike Patton and Anthony Pateras’ recent performance as tētēma.  Here’s a piece of what they had to say.

Essentially, what Tetema delivered the crowd was a behemoth wall of sound. It was as though the crowd had just rocked up to a jam session and Tetema invited everyone to stick around for a bit. Of course, it only felt that way because of the experimental nature of the Tetema sound. Percussion is front and centre, fusions of exotic sounding drums and tones meaning that Patton’s vocals are largely another layer to that percussion.

Predominantly making noises that didn’t seem entirely human, Patton was led by composer Anthony Pateras, who faced the singer rather than the audience for most of the show. Only on a couple of tracks was Patton’s distinctive singing voice a feature. That man can scream like no other. There were a few Mr Bungle-esque moments, but Tetema is its own unique, hairy beast.

You can read the full article here.

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